IT (2017) Review: the threequel 

Stephen Moore gives his pennyworth on Pennywise…

IT was the most highly anticipated horror of the year. IT failed to deliver on its promise of a truly scary version of the classic Stephen King novel. IT was still one of the most enjoyable films so far this year. IT was IT… you get IT.

In the lead up to the release of this film I was swept away down the storm drain by an effective trailer, a plot that is still as scary as when it when it was conceived and a heavy sense of nostalgia. This will no doubt lead to massive profits for the film and guarantee it receives it sequel but may also lead to one major criticism at least by seasoned horror fans. IT just isn’t scary.

I was really excited to be genuinely terrified and creeped out by the film but it never really got there and I think there are three major factors that contributed to the lack of scares.

The film’s premise means we tap into those early childish irrational fears such as clowns, creepy paintings and errrrr germs apparently? For the most part though people largely grow out of these early fears as they enter adulthood and unless you happen to have a phobia of one of these things many of the scares are unlikely to do more than gross or weird you out.

The film also has a heavy reliance on GI effects instead of practical, and some moments that are meant to be scary look a bit plastic and silly. Many a time I was left unsure if I was meant to be scared or supposed to laugh at ‘creepy picture woman’ chasing the children. Finally we have a reliance on jump scares over tension. I’ve come to accept jump scares are inevitable in mainstream horror now and can often let out a shrill shriek when one is particularly effective but in order to be scary I need to be put in a tense state… Something that really never happens. Every time the film starts to build up tension or scare it either pulls its punches like when it refuses to delve further into the horrific racially motivated arson attack on the Black Spot and with Beverly’s sexually abusive Dad… or it breaks the tension with a witty one liner or hilariously childish and perfectly crude dick joke.

Now I’ve got my main complaint out of the way let’s discuss what makes this one of the most enjoyable films of the year. In the previously definitive TV version of the novel the main star was undoubtedly the incredibly enigmatic performance of Tim Curry as Pennywise the dancing clown.

Bill Skarsgards incarnation is a perfectly respectable performance that separates itself enough from Curry’s version to keep me happy but he is not the shining star of the show in this version. Instead the main stars of the show are the extremely talented and funny cast of children. I don’t say that sentence lightly as my usual feelings toward child actors are less complimentary and more homicidal.

All of “The Losers Clubs” managed to impress me at different times and in their own way but the two leads Bill and Bev are both fantastic. Bill’s loss of his little brother Georgie both propels the story forward and grounds it at its most insane times. He is an engaging and believable hero and leader of the group with his endearing stutter just adding to the likability of his character. Bev the female of the group delicately balances her Tom Boy thrill seeking ways with her sensitivity and caring for others. One of my favourite character moments is when Bev discovers Ben’s (aka Tits) love for New Kids on the Block and she simultaneously mocks him and keeps his secret from the others.

I started this review by discussing how IT fails to be an effective horror film but what I didn’t explain is that this isn’t really a bad thing… it’s just not what I anticipated. Instead of a straight up horror film we have a fantastic summer adventure with friends, a coming of age story that just so happens to have a supernatural undertone in the form of a dancing murderous clown and to be honest I’m not that mad about that.

As the group bond and form stronger friendships you enjoy being with them for the summer and seeing all these relatable and sweet first moments of adulthood unfold. Although one particularly well played scene of the boys watching Bev sunbathe was a little different in my life.

There are lots of beautifully played child-becoming-adult moments like this, from first crushes to a funny and endearing scene where Bev tries to hide the fact she’s buying her first tampon from the boys. Saying that when coupled with a later scene involving a whole lot of blood in the bathroom It was perhaps a little too much of a menstrual cycle analogy than I was prepared for.

There are a few other flaws, such as the underuse of certain characters and a massively shortened research of the towns history that I would have like to have seen more of but overall the film is as fun as a good old rock fight. I’m overall impressed by the film, I thoroughly enjoyed spending the summer with our pint sized heroes and look forward to a rewatch. I am, however, skeptical of how the adult based sequel will capture my attention. It either needs to turn up the horror which I doubt it will or choose another genre to be based on with the horror once again being more incidental than the main attraction but I say bring IT on!

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SM

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One thought on “IT (2017) Review: the threequel 

  1. Finally. Someone that sees IT. for what IT is. I agree with everything apart from how scary IT was. It seemed to scare everyone around me but not me. I’ve come to think that growing up around the rise of classic horrors of the 70s and 80s where the genre really grew and found its home in babysitter stalkers and slashers with simple story lines, more thrillers come horror you might say, have left the modern horror stale and nothing new. They tried with SAW and other gore heavy films (hostel etc) to change it. Introduced comedy with Scream and went down the route of “jump because of the music went loud” scares. But ultimately horrors these don’t scare me. They may startle me or make me uncomfortable but scared, no. Sheila two rows behind gave me more of a fright when Pennywise ran at the screen! And then started a discussion with her friend Carol, from finance on how that scared the crap out of her, interrupting the film for the rest of us.
    While I’m talking about Sheila and Carol, who’s names have been changed for their protection, might I add that the cinema these days has become a “hangout” for people who aren’t interested in the media and treat it like a night out. Taking selfies during the film, talking out loud and everything else that can interrupt the film and experience. Excuse me, I digress.
    The film was good. Really good. The kids remind me of Stand By Me, The Goonies and Monster Squad. Very much 80s and very much enjoyable with a great soundtrack. Just not scary. Cheers and sorry for the rant!

    Like

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